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Thomas Pynchon, a mysterious, publicity-shunning author, was born in New York and graduated from Cornell University in 1958, where he may have come under the influence of Vladimir Nabokov. Certainly, his innovative fantasies use themes of translating clues, games, and codes that could derive from Nabokov. Pynchon's flexible tone can modulate paranoia into poetry.
All of Pynchon's fiction is similarly structured. A vast plot is unknown to at least one of the main characters, whose task it then becomes to render order out of chaos and decipher the world. This project, exactly the job of the traditional artist, devolves also upon the reader, who must follow along and watch for clues and meanings. This paranoid vision is extended across continents and time itself, for Pynchon employs the metaphor of entropy, the gradual running down of the universe. The masterful use of popular culture -- particularly science fiction and detective fiction -- is evident in his works.
Pynchon's work V is loosely structured around Benny Profane -- a failure who engages in pointless wanderings and various weird enterprises -- and his opposite, the educated Herbert Stencil, who seeks a mysterious female spy, V (alternatively Venus, Virgin, Void). The Crying of Lot 49, a short work, deals with a secret system associated with the U.S. Postal Service. Gravity's Rainbow (1973) takes place during World War II in London, when rockets were falling on the city, and concerns a farcical yet symbolic search for Nazis and other disguised figures. The violence, comedy, and flair for innovation in his work inexorably link Pynchon with the 1960s.
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