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Date: Mon, 19 May 1997 14:07:26 -0400 Hi y'all I did make it the Washington Navy Yard..... As some already anticipated, there is a bit of bad news, most of the World War II records have JUST been transferred to the Archives at College Park. Oh, and this was a disappointment-- I brought cash and a credit card for backup. Naturally, the policy was checks and money orders only. But that's okay, there is plenty of good news, too. On Adm. Rickover---- consider writing a book. His biography folder was THREE folders. The Navy Yard's Operational Archives keeps biography folders on officers. (They use to have a Biography Branch, but it got cut.) For Rickover, they have one folder dedicated to Navy biographical info, one of summaries (!) and one of every newspaper article, quote or mention of his name. I didn't know how much info was needed. I would have picked up one of the summaries, if I had a CHECK. However, I wrote down the info on how to request it. The cost may be about $3. I also began writing down some info, which I will e-mail later. I learned so much about this guy. I had no idea of the extent of his significance. I know he wrote a few books, which I am interested in reading now, but someone ought to look into his autobiography if it hasn't been written already. Oh, I should explain the Navy Yard to those of you who have not been there. It is a real working Navy Yard. I thought it was going to be more of a pomp and circumstance, office building, museum kind of place. It is all that but so much more. To get in, I really had to show a driver's license from which a great deal of info was written. Then I was asked why I was driving a car with Virginia license plates since I was from Maine. I had to explain which buildings (they're numbered) I would be visiting and why. The guard was very polite, yet VERY serious. Civilians can only park in blue or white marked spaces. Naturally, I could only find red, yellow and green marked ones. I kind of thought the Ships' History, Operational History and Archives would be like a big library----WRONG. I'm glad I went into this with an open mind and acceptence of this as a fact finding mission. I came away feeling like a got a great deal accomplished and got really excited about some findings. I can't wait to go back again when I have more time. For those of you willing to read this novel, I'll continue--- The building is being renovated. I knew that because there was info available on the WNY web page. Also, those areas are closed on Wednesday which made my visit more difficult. (We had a lot of other plans and family members in for a reunion/surprise party.) The Ships' History branch was a bit of a bust. The woman wasn't very helpful and I didn't have time to deal with her. She sent me up to the Operational Archives. Once I got all signed in and gave them everything but a blood sample, things got moving. They issue you a handful of pencils, NO pens in the archives or work rooms. I'm still not sure why. No food, no beverages, no smoking, I was however quietly chewing a piece of gum. They issue you pads of paper and check all of your notes when you sign out. No materials can be taken from the work room and you can't roam the archives looking for a cool report. You have to know what you want. Well, I didn't have a clue. The items that I had specifics on were at the National Archives, so I had to try to wing it.... A guy in civilian clothing (he was the only one not in uniform and I'm not sure what his story is) was quite helpful. First he explained that most of what I wanted had just been shipped to the Archives at College Park and gave me the phone number. When he found out that I was doing research for a group of people putting info on the Internet, he got excited. He wished that we could get EVERYTHING on!! He brought me into a room where civilians don't usually go. His first thought was the damage reports. These were unlike some summaries I've already seen on other web-pages. The "books" have extensive reports of every scratch each ship received. Then it has fold out (to about legal size) pages of blue print-style drawings which pin point damage. Then it has drawings of how the metal was bent or twisted or missing. They looked like photos - tremendous work. There are damage books for each ship and then summary type books for wider time periods including all ships at that time. I copied (by hand) some of these damage reports for Light Cruisers. He (the guy that was helping me) thinks that we should get all of these scanned and onto the Interent. I am not a veteran, but he told me that this is the stuff guys talk about at the reunions and that there is a lot of interest in these damage reports. This is where I get excited. Many things are on fiche there. He said reels of fiche can be copied by them for $20 a reel. If we go through the national Archives is is like $.30/page and thus VERY expensive. So his first thought is to go through his branch. But- since we'd like a lot of information, it makes more sense to try to work out a deal with the Navy to get this stuff either for free of for an even more nominal cost. They probably can't afford a staff to get this stuff on the interent or they would do it themselves. With all of our defense cut-backs, the general public would probably not be happy increaing spending for Internet buffs. However, I think they would like the information to be accessible. This guy was really excited about these web-sites. I think we could prepare a good case to work out a deal. I also got very pumped up when I went to the Navy Art Gallery. At first I was a little down. It was a tiny one-room exhibit with mabe fifty paintings/sketches on the walls. I squeezed through the "Authorized Personnel Only" door and found someone to ask questions about the Combat Artists. Shepler was on the San Juan on his way to Guadal Canal. I wanted to see the pictures. I also knew almost nothing about the Combat Artist program. For those of you who care..... there were 8 combat artists in WW II, I think 5 in Korea, 2 for a period after that and barely 1 during Vietnam. During Vietnam, the combat artist's role was changed dramaticly and he took along a civilian. Back to WW II- I was amazed to see the extensive work of the Combat Artist. I few drawings are in my grandfather's Cruise Book, but I didn't understand the program. Like the paintings I've seen of the Civil War, the Comabt Artist replaces the camera. They document everything- from portraits, to entire battles, to village civilians, to damaged church steeples, to hands pulling on rope. I'm sure you all know. Their work is in every genre - charcoal, water colors, pencil, oils, everything. Most are in storage, there are thousands! I couldn't see Shepler's orginals, so I was given a few hundred documentation cards to flip through. This was very exciting. Each card documents the art work in great detail: the artist's name, rank, etc.., where he was stationed, his artwork task, what the subject matter was, details such as dimension and genre, a black and white phot of the artwork and then some artist's notes. This was really neat. Example, I knew from the San Juan Cruise Book that early on they had detroyed a Japanese PT boat and taken 16 prisoners. Shepler painted the rescue from the sea and sketched the interrogation of one of the prisoners. On the documetation card there are additional notes regarding info not in the cruise book: the prisoners were surprised at how well they were treated by the enemy. The "commander" or highest ranking prisoner tried to commit hari-kari in his cell and took off half of his scalp. I would never have know this. Well, this is the type of insight I got by reading a few hundred of these cards! I asked if these painting are shown at galleries. While the response was "yes", it seems that they don't get out much. I am looking into showing them at our gallery, here in Portland. The Bath Iron Works is an intregal part of our economy and way of life around here. During the War, the Portland Yard (Fore River Yard) fitted many ships that were built at other Yards. The San Juan was built by Beth Steel but was fitted here in Portand! I thought it would be interesting for our local gallery to show the ships that came through Portland. We could see what was the result of our hard labor and at the same time learn new things about the War and the people in it. The work is extensive. Maybe we could even sponsor a tour of Light Cruisers. It is not as narrow as one may think. There are thousands and thousands of pieces of art encompassing so many aspects of the war. I don't have with me right now the info I brought back from the Navy Yard. I will pass that along later this week. My time was quite short. I only had a four hours and nearly two of them were dedicated to driving. Some may view this as a bust, but I had a great time being there and am very excited about the future. "Talk" to you later.......
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